Warm · high contrast · vivid · also called Clear Spring
Warm with high contrast and clear eyes. Saturated colours hold their own against you; muted ones disappear.
ExampleChoose your own photo
Find your color season and palette.
Choose your own photoClick to choose a photo, or drop one here
Front-facing · Even lightingStraight-on, even lighting, at arm's length gives the most comparable reading.
Runs in your browser. Your photo is not uploaded.
30 colours in four groups and 6 neutrals, each written out with its hex code — tap any code to copy it, or take a whole group at once. The same palette is available as a Bright Spring palette card (PNG) sized for a phone screen, to take shopping.
Core
Accent
Lightest
Deepest
The seven core colours are the clearest warm colours there are: turquoise, bright teal, hot coral, clear red, bright orange, vivid yellow and grass green. They are fully saturated and golden-based, with nothing grey in them. That is the season: Bright Spring colouring has high contrast between hair and skin and usually clear, patterned eyes, and it needs colours with the same intensity — muted colours, which flatter most people, drain it.
Accents are fuchsia, watermelon, apricot, sunflower, lime, kelly green, bright aqua, bright periwinkle and warm violet. Bright Spring is the one Spring that can wear fuchsia and a bright periwinkle, because clarity matters more to it than exact temperature — but the warmer, golden version of a bright is always the safer choice.
The lightest shades — light aqua, light coral, lemon, bright mint, candy pink, pale periwinkle — are clear pastels, not dusty ones; they work best with a bright or dark next to them. The deepest — bright navy, cobalt blue, deep teal, emerald green, raspberry, paprika and warm purple — are deep but still saturated, which is what makes them work where black and brown fail.
Six neutrals carry the wardrobe. Bright ivory replaces optic white; deep navy is the best dark neutral and replaces black near the face; warm tan, warm stone, warm charcoal and chocolate fill the rest. Can Bright Spring wear brown? A rich chocolate, yes — muted taupe and greige are the browns that fail.
Bright Spring is warm colouring with unusually high contrast: clear, saturated eyes against skin that is noticeably lighter than the hair. Brightness is the defining property here, not warmth — it is the axis that separates this season from its neighbours, and it is why muted colours, which suit most people, actively drain this one.
Bright Spring is sometimes published as Clear Spring; both names describe the same place on the three axes.
The test on this page turns three measurements into numbers between minus one and plus one. Warm–cool is mainly the hue angle of your skin in CIE Lab, with your hair counting for about a third. Light–deep is skin and hair lightness together. Soft–bright matters most here: half of it is the saturation of your irises, half is the lightness gap between your hair and your skin.
It calls you Bright Spring when three conditions hold. Warm–cool reads warm. Soft–bright reads on the bright side. And soft–bright is further from zero than light–deep, with at least one of them past 0.3 — meaning clarity and contrast are the strongest things about your colouring.
That rule answers whether Bright Spring is the same as True Spring. It is not: True Spring is called when warmth is the only strong signal, Bright Spring when clarity is. Fair or light skin with noticeably darker hair, or eyes with very saturated colour, are the usual routes to a Bright reading.
The borders follow. A warm–cool value near zero sits on the line with Bright Winter. Clarity that drops below 0.3 turns the result into True Spring or True Autumn; lightness that overtakes clarity turns it into Light Spring, and depth that does, into Deep Autumn.
Skin — examples across depths
Eyes
Natural hair
These are examples, not a checklist. Bright Spring runs from fair to deep skin with a golden or peachy cast; what makes it is clarity — eyes with distinct colour and often a visible pattern or a clear ring, and a real gap in lightness between hair and skin. Very dark hair against light warm skin is a common Bright Spring combination; so is light skin with bright copper hair.
Brightness is easier to test than temperature, so start there.
Stand facing a window in daylight, with no coloured walls behind you and no makeup. Do one comparison with your hair visible, because hair is half of the contrast that defines the season.
Test clarity first. Hold a dusty sage under your chin, then a saturated turquoise. On a Bright Spring the sage makes you look tired and the turquoise makes you look awake.
Then temperature: coral against fuchsia. Coral should win. If fuchsia wins clearly, you are Bright Winter — the same clarity, cool instead of warm.
Then check that clarity beats lightness and depth. If pale pastels look better than the brights, check Light Spring; if deep, earthy colours look best, check Deep Autumn.
The clarity test: a saturated blue-green against a greyed one. An illustration of a drape test — it shows the two colours, not a result on a real face.
The temperature test that separates Bright Spring from Bright Winter — the same pair, read the other way. An illustration of a drape test — it shows the two colours, not a result on a real face.
| Bright Spring | Bright Winter | True Spring | Light Spring | |
|---|---|---|---|---|
| Warm or cool | Warm | Cool | Warm | Warm |
| What decides it on this test | Clarity | Clarity | Warmth alone | Lightness |
| Contrast | High | High | Medium | Low |
| Clarity | Vivid | Vivid | Clear | Clear, gentle |
| One-colour test | Coral beats fuchsia | Fuchsia beats coral | Warm coral beats hot coral | Light coral beats hot coral |
| Darkest neutral | Deep navy | Black | Coffee | Warm navy |
| Metal | Bright polished gold | Polished silver, white gold | Yellow gold | Light or brushed gold |
Bright Spring
Bright Winter
True Spring
Light Spring
Bright Spring vs Bright Winter is the most searched comparison, and on this test it is decided by temperature alone — both are called when clarity is the strongest axis. They share high contrast, vivid eyes and a dislike of muted colour. The difference is whether the brights are golden-based or blue-based: coral, turquoise and sunflower on a Bright Spring, fuchsia, cobalt and icy lemon on a Bright Winter. Coral against fuchsia settles it faster than anything else. The Bright Winter color palette is the cool side of the line.
Bright Spring vs True Spring is often asked as whether the two are the same season. They are not: True Spring is called when warmth is the only strong signal, and Bright Spring when clarity is. True Spring looks best in medium-weight warm colours — warm coral, jade — and the most saturated brights look loud on it; Bright Spring looks best at full saturation. If hot coral looks too much and warm coral looks right, read the True Spring color palette.
Bright Spring vs Light Spring shares the warmth and differs in contrast. Light Spring is called when lightness is the strongest axis — light hair close to the skin in lightness, which makes contrast low — and it looks best in light, gentle colours. On a Light Spring, Bright Spring's hot coral and vivid yellow look overwhelming. If light coral and peach beat hot coral, read the Light Spring color palette.
The three colours that fight a Bright Spring hardest are below. Three, not thirty — a palette is a prediction about which tones lift the face, not a list of banned colours, so every one of them has a version that does the same job.
| Instead of | Wear | Why |
|---|---|---|
| Dusty mauve | Fuchsia | Pink at full clarity. |
| Taupe | Warm tan | A neutral with warmth and no grey. |
| Muted olive | Kelly green | Green with the dust taken out. |
| Oatmeal | Bright ivory | A light neutral that is clear rather than muddy. |
| Greyed teal | Bright teal | The same colour family at full saturation. |
| Burgundy | Clear red | Red that is warm and clear rather than dark and cool. |
| Icy grey | Deep navy | A neutral with contrast in it. |
Six combinations built only from the palette, shown in the proportions you would wear them — the largest block is the main garment, the smallest is the accessory.
Turquoise and ivory
A turquoise dress, a bright ivory jacket, a hot coral lip or bag.
Navy and coral
Deep navy trousers, a bright ivory shirt, a bright orange scarf.
Colour block
A vivid yellow top, bright navy skirt or trousers, fuchsia shoes.
Kelly and tan
A kelly green knit, warm tan chinos, lemon accessories.
Raspberry evening
A raspberry dress, a warm charcoal wrap, sunflower-gold jewellery.
Aqua weekend
A bright aqua tee, dark clean-indigo jeans, light coral trainers.
| Occasion | What to wear | Neutral that carries it |
|---|---|---|
| Work | Deep navy or warm charcoal suiting with a bright ivory or aqua shirt and one bright accent | Deep navy |
| Weekend | Dark, clean indigo denim with a turquoise, coral or kelly green top | Deep navy |
| Evening | A single saturated colour — raspberry, emerald green, clear red, warm purple — in satin or silk | Warm charcoal |
| Wedding guest | Turquoise, watermelon, sunflower or bright periwinkle in a fluid fabric | Bright ivory |
| Interview | Deep navy with bright ivory and one hot coral or turquoise accent | Deep navy |
Bright Spring carries crisp, high-contrast prints with clean edges: bold florals, tropical prints, graphic stripes in navy and ivory, colour blocking. Soft, blurred and dusty prints look faded against the colouring. Denim works best dark and clean — a crisp indigo rather than a faded or grey wash. Crisp and glossy fabrics suit the clarity: satin, poplin, patent leather, polished cotton.
A Bright Spring man looks best in clean, contrasted tailoring. Deep navy and warm charcoal suits replace black; a deep navy suit with a bright ivory shirt and a turquoise or coral tie is close to ideal. Shirts in bright ivory, aqua and clear blue. Knitwear in turquoise, kelly green, clear red and warm tan. Ties and pocket squares carry poppy-red, turquoise, sunflower and fuchsia. Leather in chocolate or tan. The pieces to drop are muted: grey-beige knitwear, olive jackets and faded denim flatten a high-contrast face.
This is one of the few seasons where full-strength colour is the right answer.
| Product | Shades | Skip |
|---|---|---|
| Foundation | Warm, golden or peach, matched at the jaw in daylight | Grey or pink-toned shades |
| Blush | Clear coral, warm bright pink | Dusty rose, brown-toned blush |
| Lipstick | Bright coral, clear warm red, warm bright pink | Brown nudes, muted mauve, blue-red |
| Eyeshadow | Bright warm green, teal, clean gold, bronze | Grey-taupe, dusty plum |
| Eyeliner | Black or deep navy — black is workable here | Soft grey |
| Brows | Warm brown to dark warm brown | Ash, grey-taupe |
Shade is decided by your season; where the colour goes is decided by your eye shape.
Warm and defined: golden blonde, bright copper, rich warm brown. Muted or ashy dye jobs cost this season more than any other, because contrast is the thing being spent.
Warm and defined is the rule: golden blonde, bright copper, rich warm brown and dark warm brown with a glossy finish. If you colour, keep the edges crisp — a clear, glossy colour holds the contrast better than a blended, muted balayage.
Going grey lowers the lightness gap between hair and skin, which is half of the clarity reading, so on this test a greying Bright Spring often moves toward True Spring or Light Spring. A clean, bright silver or white rather than a mix of grey and faded brown keeps more contrast.
Ash, mushroom brown and muted, smoky balayage cost this season more than any other, because contrast and clarity are the things being spent. Platinum on dark roots can work for contrast but is usually too cold; a golden or copper version of the same idea fits the season.
Bright polished gold. High shine matters more than the metal itself — brushed finishes lose the clarity.
Bright polished gold is the natural metal, and high shine matters more than the metal itself — brushed or antiqued finishes lose the clarity.
Is Bright Spring gold or silver? Gold. A very bright, polished white metal can work as a secondary accent, but a warm gold always leads. Stones follow the palette: turquoise, coral, citrine, peridot, emerald, topaz and bright golden pearls.
Glasses frames work the same way: high-shine warm tortoiseshell, coral, turquoise, deep navy or polished gold metal rather than matte grey. Colour is decided here; the frame shape is decided by your face shape.
Bright Spring lists tend to agree with each other more than most, and that is not a sign they are right. Red-carpet and studio photos are lit and graded to add saturation and contrast — exactly the qualities that define this season — so almost anyone with warm colouring looks Bright in them.
This page does not list names. The measurement worth having is your own, from a photo taken facing a window — which is what the test at the top of this page reads.
Your measured result can change even when your colouring has not. A tan narrows the gap between dark hair and skin and lowers the clarity reading, so a tanned Bright Spring can read as True Spring or True Autumn; with light hair, a tan can do the reverse and widen the gap.
Hair dye moves the result most. Lightening dark hair toward the skin's lightness removes contrast and pulls toward True or Light Spring; ash dye pulls temperature toward Bright Winter or the Summers. The system is usually taught as describing natural colouring, but the colours that flatter you follow the hair you actually have.
Bright Spring is decided by contrast and eye clarity, and both are fragile in a photo. A dim or noisy frame compresses light and dark and lowers the hair–skin gap; small or shadowed eyes can go unread, leaving clarity to contrast alone; and dark hair against a dark background can go unread too, leaving clarity to the eyes alone. Any of these can turn a Bright Spring into True Spring.
Beauty filters change skin lightness and eye colour, so turn them off. Take the photo in daylight facing a window, against a light plain wall, with the whites of your eyes visible — the test uses them as a neutral reference to correct for the light. The full explanation is on the color analysis page.
Brightness is easier to test than temperature, so start there. Put a saturated turquoise next to a dusty sage. If the sage makes you look tired and the turquoise makes you look awake, you are on the bright side. Look at your eyes in daylight: Bright Springs usually have a visible pattern in the iris — spokes, a clear limbal ring, distinct colour rather than a blend. Then check temperature. Warm brights lean coral and golden; cool brights lean fuchsia and icy.
Bright orange, Vivid yellow, Turquoise, Hot coral, Bright teal and similar tones, with bright ivory, warm tan, deep navy as the neutrals that carry them.
Bright polished gold. High shine matters more than the metal itself — brushed finishes lose the clarity.
Warm and defined: golden blonde, bright copper, rich warm brown. Muted or ashy dye jobs cost this season more than any other, because contrast is the thing being spent.
Temperature. Identical brightness; Bright Winter's clear colours are blue-based, Bright Spring's are golden-based. Coral versus fuchsia is the fastest test.
Contrast. If saturated colours look loud on you rather than energising, you are the softer True Spring.
Muted and greyed colours fight hardest: dusty mauve, taupe, muted olive, oatmeal, greyed teal, burgundy and icy grey. The swap table on this page gives a clear, warm version of each.
It can work as an accent and away from the face. Near the face deep navy or warm charcoal usually look better, because they keep the contrast while adding warmth.
Yes — a deep, clean navy is the season's best dark neutral.
A rich chocolate brown works, especially with a bright colour. Muted taupe, mushroom and greige are the browns that flatten it.
Yes. Clear Spring is another name for the same season, used by systems that name each subtype by its defining quality.
Not sure which one you are? Measure your three axes — it runs in your browser and nothing is uploaded.